Remains for Those Remain Remains for Those Remain is a reflection on sound and memory—a sonic reimagining of spaces shaped by the passage of time. Drawing from recordings I made at archaeological sites, the work transforms what was heard into something new: a filtered, altered version of the original experience. Like fragments of a memory, these sounds are stretched, shaped, and processed, leaving behind resonances that feel both distant and familiar.

This piece is an extension of an earlier installation I created, exploring the relationships between human hair, space, and sound. In both works, remnants are central—whether physical or auditory, they become traces of presence and absence. The remains in the title speak to this transformation—what lingers after time has smoothed the edges, after echoes fade and silence settles in. Moments of clarity emerge, only to blur again, as if the sounds themselves are caught between presence and disappearance.

Through this process, the piece becomes an intimate reflection on the act of listening: how sound changes, how it carries traces of what once was, and how what remains can take on a life of its own. For me, creating this work was like inhabiting the spaces through sound—finding a way to hear their voices again, not as they were, but as they persist now. Remains for Those Remain invites the listener to experience this filtering, to explore the altered textures of sound and memory, and to discover beauty in what is left behind.